Organizing Locations And Shots

Once you’ve picked the locations you feel work the best for your video, divide them into three categories: wide shots, mid shots, and close ups. Call them A, B, and C.

Location A: Wide Shot

You’re going to need to find a location/setting that looks good from a distance. A good possibility for this is a wall, potentially with graffiti or street art painted on it. You can find these typically on the sides of buildings or parking lots. This could also be in the woods, a field, a train station, etc. Basically, you need to be able to be at least 10-15 feet from the performer with the camera without being in danger (car traffic) or interference from regular people ( foot traffic). Make sure you have at least one location locked down that matches this criteria.

Location B: Mid Shot

Next, you need to pick a spot where you’re safe and comfortable shooting about 5 feet from the performer. There will be some of the background in the shot so make sure it looks good. This should be a different location than LOCATION A. Why? It will add more interesting elements to the video by showing a different side of you, in a new space.

However, it doesn’t have to be far away. LOCATION A could be a wall. LOCATION B could be the alley across from that wall. There is no way to tell once the video is shot where places were in relation to each other. So don’t stress or drag your crew around looking.

Location C: Close Up

A third location or backdrop where the performer is comfortable; the person holding the camera will be close to the performer, as it is a close up shot. Again, it can be near or even next to your other locations. Don’ t over
complicate it.

Location D and E: B-Roll:

B-Roll are non-performance takes you use as a director to mix up the vibe of the video during editing. Generally, neighborhoods are best. You’ll be traveling on foot capturing movement of your performer and objects around the neighborhood.